G. Franklin Dix was Co-Producer of the successful independent feature, "Hard Justice."
Following a featured run on HBO, "Hard Justice" was New Line's second-highest
video rental for two weeks behind "Braveheart." Mr. Dix was responsible
for the production logistics, legal affairs, financial planning, disbursement
and tracking, and all insurance-related matters.
Mr. Dix, following a fine Hollywood tradition, started his career
as an Agent Trainee in the mailroom of the William Morris Agency.
When the Peter Stark Producing Program at USC accepted his application,
he left behind a promising start at WMA to pursue a unique and coveted
educational opportunity.
His filmmaking background includes script breakdown, budgeting
and scheduling at 20th Century-Fox in connection with "I Ought To
Be In Pictures," "Author! Author!," and "The Sender," production
cost estimating at Hollywood Pictures on "Swing Kids," "Flynn,"
"Born Yesterday" and "Eden Close," production cost estimating for
such independent projects as "When The Trumpet Sounds," "Shadow
of the Phoenix," "Stay" and "Noah's Magic," the development and
packaging of several independent motion picture projects, and accounting
and production auditing for Production Partners and Boardwalk Pictures.
On the productions side, Mr. Dix worked as a Production Assistant
for a number of TV commercial production companies for such clients
as American Express, Atari, Best Foods, Cadillac, Disneyland, IBM,
Mattel, Maxwell House, Mitsubishi, Nissan, and Uniroyal. His later
production experience includes serving as the Production Manager
and First Assistant Director on several low budget projects include
two award-winning projects for Gospel Films, "Shout For Joy" and
"Fury To Freedom," "Citizen Jackass" a half-hour comedy short for
Beacon Hill Films, "Fear Of A Punk Planet" thirty-minute episodes
104 & 105 for Kung Fu Films and "Good Kids Die Too," a twenty-minute
educational (anti-drug abuse) film produced by Learning Corporation
of America.
Drawing upon his command of both finance and entertainment law,
Mr. Dix has drafted numerous personal services agreements and literary
option/purchase agreements for himself and others, a detailed business
plan for a home-video distribution venture, the non-boilerplate
elements of a private placement memorandum for a motion picture
limited partnership and several film project business plans. In
addition to his producing experience, Mr. Dix has written several
screenplays including "Caught In The Crossfire," "A Jury Of One,"
"Power Trap," "Law Of The West" and "Insiders Trade."
Academically, Mr. Dix has earned a Bachelor of Science in Business
Administration / Finance at University of California Berkeley, a
Master of Arts in Theology at Fuller Theological Seminary and a
Master of Fine Arts in Cinema / Peter Stark Producing Program at
the University of Southern California.
In April 2005, Mr. Dix bought an equity interest in AEI and founded,
along with Ken Atchity and Chi-Li Wong, their moral stories division,
DayStar Entertainment.
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With
more than forty years experience in the publishing world, and over
fifteen years in entertainment, Dr. Ken Atchity is a self-defined
"story merchant"--writer, producer, teacher, and literary manager,
responsible for launching dozens of books and films. His life's passion
is finding great storytellers and turning them into bestselling authors
and screenwriters. ..More
Chi-Li
Wong, AEI President and Partner, came to Los Angeles in 1992 after
serving as associate administrator of the Fort Lauderdale Film Festival.
She began as story editor and analyst at AEI then, after specializing
in treatments and acquisitions, became VP of Development and Production
(1995-1999)...More
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